lord huron lyric video ghost on the shore

On Long Lost we get incongruities such as snippets of voices reminiscent of a carnival barker, lots of heavy reverb, and “bent” strings reminiscent of “I Am the Walrus.” Not to mention the 14-minute closing track, “Time’s Blur,” which consists of a chord progression slowed down to unrecognizability. Lord Huron’s goal is also temporal disassociation, though in the opposite direction: to a past that’s only superficially idyllic.Īccordingly, the band uses variations on Radiohead’s trippy techniques. Radiohead used snippets of noise, electronic manipulation, synths, and dissonance to transport listeners to a dystopian future. Like Radiohead’s music from the OK Computer/Kid A/Amnesiac era, Long Lost has a larger purpose and is willing to deploy an arsenal of effects to achieve it. What about the spaciness? Well, that’s where the Radiohead analogy comes in. But that’s because I’ve only covered the album’s “grounded” elements.

So far my description of Long Lost could apply to any number of solid, satisfying recent alt-rock releases. On Twenty Long Years, for instance, Schneider captures this viewpoint concisely: “I made a promise when I left for the coast/Twenty long years ago/I made a life out of chasin’ a ghost/Twenty years takes its toll.” Schneider’s focus on this, the group’s fourth full-length release, is relationships-with others, with places, with oneself-that only look good in the rearview mirror, and maybe weren’t so great even back then.

The lyrics, too, are both approachable and rewarding. After playing them a few times, I dare you to kick them out of your head. Once you’ve accepted the invitation to the party, you’ll be rewarded with a generous batch of well-crafted, impeccably-played, hook-laden songs. Whatever goes into it, the sound Lord Huron achieves is immediately appealing-a paradox of nostalgia and cutting edge. You’ll hear a confluence of rock, pop, country, folk, and surfer influences, yet the songs are carried primarily by Schneider’s rhythm guitar and accentuated by the twangy lead guitar work of Tom Renaud. The group is known for its catchy melodies and for mixing many genres into a unique stew. Lord Huron is an indie-rock foursome led by singer/guitarist Ben Schneider. Both of those suggestions turn out to be true. The implication is that the album will contain some spacey aspects, but that the music will also be grounded in the familiar. His body is intact, but his head has dissolved into a haze. The cover image depicts an upright man holding a guitar. The mix-up turned out to be prescient: there’s a lot of Radiohead in Lord Huron, though much of it is below the surface. D ue to a glitch in my car’s audio system soft ware, the first time I cued up Radiohead’s recent Kid A Mnesia (review forthcoming), the center-console screen incorrectly displayed the cover for Lord Huron’s latest, Long Lost.

Lord huron lyric video ghost on the shore